18. “The way to get things done [is] to go ahead and do them. Don’t talk about going to Borneo. Book a ticket, get a visa, pack a bag, and it just happens,” says Richard in the Alex Garland novel, The Beach. That bit didn’t need underlining; it was stuck in my head since. For the longest time I dreamed of traveling to Japan and of taking a proper vacation: something completely mine, well-planned but also aimless. I never thought that I had the resources nor the guts to fly to a land which language I don’t speak, until Justice announced a Woman Worldwide Tour, with appearances at Summer Sonic 2017.
19. Last April, Coachella streamed Justice’s full set, giving me a taste of Woman Worldwide. What I digested was theater, where each element — may it be aural, visual, lexical — meant something to another element to another element. Everyone talked and will talk about the lights: because they don’t just dazzle, they communicate.
20. Once you hear the live version of a Justice song, you’ll forg…
David Harrower’s Blackbird takes us right smack in the middle of harsh reality: the office pantry. Suspended fluorescent tubes illuminate a small room, which centerpiece is a long plastic table. Cardboard boxes everywhere. No porcelain, only paper cups. In one corner, trash has managed to spill from a tall bin. All these add up to a hyperreal set that is eerie yet captivating.
Enter a young woman and an older man, dressed like everybody else in the audience — in boring ready-to-wear, maybe soiled by earlier fits of clumsiness or by fresh transgressions. The difference is that our mess are hidden in theater dark, while theirs are exposed by light.
Una and Ray engaged in a sexual affair when the former was 12 and the latter was 40. The relationship lasted for three months and its end meant jail time for the gentleman. Fifteen years later, Una stumbles upon a photo of a smiling Ray on a magazine, compelling her to track him down. Now they meet again as Una finds Ray in his workplace, liv…
Sometimes I think about dance. Not that thing we poor souls do at the club, but that which is conceived by a choreographer and realized by a dancer. How the art form seems to evade preservation and discovery.
Stumbling upon a great modern ballet piece is not as easy as stumbling upon, say, a great novel by an obscure author or great music from a band in the ‘70s. Sure there are licensed recordings of performances available in stores — limited as they may be — and there’s YouTube and other video-streaming services to scour (if you want something recorded by naughty, rule-bending audiences), but my impression is that dance doesn’t bother as much with reproduction and distribution the way other popular art forms do.
From where I am, there’s no better person to ask whether or not this is an actual problem of the industry than National Artist for Dance, Alice Reyes. “It’s not a problem, it’s a fact. It’s something we have to live with,” a fired up Reyes told me during an open rehearsal of …
An audience member asked on opening night why the iconic (her word) Beauty and the Beast theme was left out of the Repertory Philippines production of the musical. She was, of course, referring to the Alan Menken hit from the Walt Disney label. Rep could sigh in dismay, having categorically stated that their show adopts a different version of the fairy tale; but maybe, just maybe, no one would miss the popular movie tracks had the Michael Valenti score been equally enchanting.
The Laughter Song has got quite a hook (that’s still lodged in my head). As for the rest of the songs, they barely excite the ear, however pleasant-sounding. It doesn’t help that the cast — led by Alana Vicente (Beauty) and Jos Jalbuena (Beast) — seem to be in short supply of energy, unconvinced themselves of what they’re crooning about.
What Rep’s Beauty and the Beast has going for it is: everything else. Bonsai Cielo’s costumes are visual puzzles (Do you put on, slip or morph into a table dress? Is that actua…
Ear-worms this month are courtesy of a young duo and the widely acknowledged godfathers of electronic music.
The new: At night by Oliver
I haven't heard of Oliver until last week. On August 24, the LA-based DJs released Full Circle, a solid debut album.
It's always the rhythm that wins me. Though largely a song-driven effort, the album's melodic lines (especially those with vocals) are never over-complicated or overpowering; while the engaging rhythms are given the extension they deserve — no rushing to the chorus or "the drop". These for me are the very things that make electronic music distinctly enjoyable, habitable.
The tracks also don't follow a single structure, so you'll be pleased with the diversity. Three songs I find extra special are Go with it, Heterotopia, and At night. Am excited for this band. They must be fun to see live.
The old timeless: Music non stop – 2009 remastered version by Kraftwerk
10.Hard and filthy are two adjectives Justice fans often use to describe the French electronic music duo’s sound; and in the fandom’s lexicon, they only mean the highest of compliments. My first encounter with Justice didn’t evoke such words, though. Rather it was, Wow-whoa-what is this-oh my Lord! There are layers upon layers of distortion, yes; there are heart-stopping drum beats, yes; but there are also the most appealing rhythm and melodies; and nothing that I would ever associate with noise. Truth is I find their sound akin to classical music. If you gave Let there be light (“Cross”) a violin arrangement, or Canon (“Audio, Video, Disco”) a full orchestra version, they could sit beside your “Bach for Barbecue” favorites.
11. November 18 was duly marked on my calendar. It was the release date of Gaspard Augé’s and Xavier de Rosnay’s third album, “Woman.” In September, Justice released the teaser single, Randy, which got me giddy with excitement. The mellow, melodious and radio-frien…
My mistake was electing to sit at the front row despite knowing that Newsies — the stage adaptation of the Disney film of the same title — would be a visual spectacle. Rights to the award-winning Christopher Gattelli choreography weren’t granted to the show’s local production (as I later on learned); but PJ Rebullida, with a little help from Yek Barlongay, created a choreography that, based on audience reaction, was every bit of a winner.
Co-producers 9 Works Theatrical and Globe Live harped on this dance excellence — a clever decision as the musical’s paper-thin characters and storyline would hardly please the discerning theatergoer or keep the casual fan awake. The narrative was standard Disney: an all-too safe journey between plot points leading to a saccharine resolution. A happy ending lurked from the get-go, and conflicts that arose along the way failed to arouse any sense of danger.
Instead the danger was in the dance. I had seen some of these actors before though not in this f…
‘I want to do something different, and everybody wants to do something different. But we all do the same thing. There’s no…’
Because I associate the word with popular books and movies, adventure signifies something exciting, with an element of mystery, risk and danger. It is ultimately safe, because with books and movies, even if it does not reach a positive conclusion, I, the audience, am physically removed from the harms pervading the narrative.
In the Alex Garland novel, the first adventure is getting to—and therefore proving the existence of—‘the beach’, a mythical island-paradise in Thailand; the second is living there; and the third, leaving.
In life, not as clear-cut.
So the beach is real, alive with a small community that keeps it habitable to the few of them who discovered the place and decided it was theirs to call home.
The trick is how to keep the secret Eden from the rest of the world. With how the book ends, it can’t be done. If anything, I gather…
One night in 2015 maybe, I was walking with a friend towards a club. I couldn't remember how the conversation went there, but I declared, "I look my best now."
As I write this I think, No. I look my best now;
And think of perfection. My every day has been a deliberate (though not always successful) step towards that. In 2014 I got my own space. When friends would invite themselves in, I'd quip, I want it to be Instagrammable first, give me time. I want my home to reflect who I am, therefore I want it to be perfect.
Although I know there's no such thing and if I ever reached it, What else?
Then I came across this Robert Herrick poem published in Love poems, a collection of poetry read on BBC Radio 4's Poetry please:
Delight in disorder Robert Herrick
A sweet disorder in the dress
Kindles in clothes a wantonness.
A lawn about the shoulders thrown
Into a fine distraction;
An erring lace, which here and there
Enthralls the crimson stomacher;
A cuff neglectful, and …
1. The press release landed in my inbox May last year. “In 2007, Gaspard Augé and Xavier de Rosnay — better known together as Justice — released the single, D.A.N.C.E., which infectious beats captured a multitude of music fans… On May 14, 2015 the Parisian dance production duo will drop by the Philippines to heat up the Valkyrie dance floor,” it read. Why have these infectious beats not captured this music fan yet? I asked myself. So I searched for the song, which turned out to be catchy as fu…advertised (all those nods to Michael Jackson adding to its charm). I saved D.A.N.C.E. to my music bank then moved on with life.
2. The trailer for DJ film, We Are Your Friends, starring Zach Efron, came out in the same summer. Included in the motion picture soundtrack was Justice’s remix of Simian’s Never Be Alone. Despite Efron’s good looks and my inclination towards EDM, other forms of distraction won my attention at the time. I neither saw the movie nor heard the OST.